I originally wanted to do a "Best Movies of 2009" post, but I realized that there are so many movies that came out this year that I haven't had the chance to see yet, that I would have a hard time coming up with a list that satisfied me. So instead, I decided to do my Top 10 of the past decade (2000-2009), since I've seen considerably more of the movies that have come out in the past decade than in the past year, and can therefore create a more accurate list. I'm putting these in order chronologically, rather than ordering it according to favorites, since that would just be too hard. So let the list begin...
Almost Famous (2000)Even though this list isn't in order, I have to say, this is my number one favorite movie, not just of the past ten years, but of all time. This movie both warms and breaks my heart every time I see it. Every character is perfect - and so are the actors who portray them. I can't think of another single movie with this many amazing performances in it - Patrick Fugit, Kate Hudson, Billy Crudup, Philip Seymour Hoffman, Frances McDormand, Jason Lee - every single one of these actors creates (with the help of Cameron Crowe's excellent writing) a completely unique, believable, and memorable character. There are no one-dimensional characters in this movie, even supporting ones. These are characters you connect with. The soundtrack is also excellent, and the story is one of a kind. This movie is hilarious and beautiful and intelligent all at the same time, and it's about so many things - learning to love, dealing with fame, the power of music, growing up, being uncool. I could go on and on and on about all the specific reasons why this movie is perfect, but I'm not going to do that here. Suffice it to say that movies like this are the reason I love movies.
The Lord of the Rings Trilogy (2001, 2002, 2003)I'm cheating a bit here, giving one spot to three movies, but honestly, who can look at Peter Jackson's The Fellowhip of the Ring, The Two Towers, and The Return of the King, and not recognize that they are all part of a single, complex work? With this trilogy, Peter Jackson accomplished the most amazing act of page-to-screen adaptation I can think of. All of the choices he made in making these movies - from what to leave in and take out of the screenplay, to who to cast, to how the creatures and landscapes should look - add up to nothing short of a masterpiece. The acting, special effects, and score are all stunning, and Jackson makes New Zealand look like Middle Earth come to life. These movies tell Tolkien's story better than I would have ever thought possible in a feature film.
Lost in Translation (2003)Lost in Translation came out back when Bill Murray doing a quirky drama instead of a comedy was still new, and Scarlett Johansson was being paid small fees for being talented instead of large fees for being hot. This movie is about relationships and mood, and if you like movies like that, then it is superb. When I saw it when it first came out, I was just beginning to like movies like that, so it took me a couple viewings to get from "not sure if I get it" to "one of my favorites of all time". What makes this movie work is the dynamic between Murray and Johansson, and the way you, as the viewer, watch their relationship develop until it becomes real, so real that by the time Bob whispers indiscernibly into Charlotte's ear in the film's final moments, you feel that the characters deserve to keep whatever it is he said between themselves. Writer/Director Sofia Coppola was too smart to take the easy way out and make this a simple romance (although there may be a bit of that, too) - this movie is about a more complex kind of relationship that we rarely see on film, and it feels all the more real because of it.
Eternal Sunshine of the Spotless Mind (2004)Charlie Kaufman is one of the most talented screenwriters alive, and this is his masterpiece. In this movie, Kaufman and director Michel Gondry use an unusual plot and a unique approach to storytelling to examine one of the most commonly discussed themes in all of fiction - love. And they do it more effectively and truthfully than any romantic comedy you will ever see. This movie also contains what I would argue is Jim Carrey's best performance to date, the kind of performance that makes it really hard to believe that this is the guy who was in Ace Ventura and is still making movies like Yes Man. Kate Winslet is brilliant as always, and the supporting cast is great as well - with Kirsten Dunst, Elijah Wood, Mark Ruffalo, and Tom Wilkinson all in top form. Like all of Charlie Kaufman's movies, Eternal Sunshine of the Spotless Mind is refreshingly different from every other movie you have ever seen, but it goes beyond just being clever and well-made to being a really truthful and touching movie about what love is really like.
Garden State (2004)
This movie reminds me of high school. Partially because I was in high school when I saw it, and partially because some of the people in it remind me of people I knew in high school. I find this movie very easy to relate to, and I imagine a lot of other people who are in their late teens/early 20s do too. It's about trying to figure out yourself and your place in the world, and coming home to a place you don't recognize anymore. One reason I like Garden State is because it doesn't really provide its characters with any answers, and there isn't really a lot of plot. It's mainly just about Braff's character, Andrew Largeman, trying to figure out what his life is all about, and by the end of the movie, he's only slightly closer to figuring it out than he was at the beginning.
Children of Men (2006)Alfonso Cuaron's Children of Men is science fiction done right. In it, Cuaron creates such a believable (and even recognizable) world, that it doesn't feel like science fiction at all, even though many things are so radically different from the world in which we currently live. In Cuaron's film, the future is a dirty, gritty, dangerous place, yet this is a story about hope. Clive Owen's everyman protagonist Theo Faron makes a convincingly reluctant hero, who never volunteers to save humanity, or even to protect Kee, the girl he ends up guiding through their world - he is simply a decent man who is put in a situation where his help is needed. The attention to detail in this film is astounding, and it's the little things that make it feel real, like the fact that Theo, as he is constantly chased from one place to the other without warning, spends a large part of the story without any shoes on.
The Departed (2006) Martin Scorsese, the master of crime movies, finally got a Directing Oscar for The Departed, and I daresay it is his masterpiece. This movie makes you feel the uneasiness and anxiety felt by guys who aren't really working for the people they work for. Matt Damon as Colin Sullivan and Leonardo DiCaprio as Billy Costigan spend the whole movie trying to outwit one another, while never knowing who each other really are. The acting is top-notch, and the whole movie is filled with tension, as both Damon's and DiCaprio's characters come closer and closer to being found out. Jack Nicholson delivers some terrific dialogue as the borderline psychotic gangster who can't be caught, and Martin Sheen and Mark Wahlberg are excellent as the good cop/bad cop team that run the undercover unit. I don't really know how to describe why this movie is so great, it's just a really really REALLY good movie about cops and criminals.
Juno (2007)It is really hard to believe that Juno is the first script Diablo Cody ever wrote. Many screenwriters spend decades writing movies and still never come up with anything this original, clever, and touching. Some people complain about how "real people don't talk like that", referring to the bizarre slang and obscure references used by Juno and her friends, but I think that's missing the point - both Juno and the people she knows are weird, and they live in their own weird little world. Who doesn't have strange terms and sayings they share with close friends which would be unexplainable to someone who wasn't there when they originated? Part of what makes this movie so special is that is makes you, as the viewer, feel like you've stepped into the world of Juno and her family and friends, and are witnessing all of their quirks and eccentricities firsthand. Personally, I know more people that are weird in the ways the people in this movie are weird than otherwise. This is what life is like - people are weird, weird things happen, and not everything that happens makes sense.

The Dark Knight (2008)
Leading up to the release of The Dark Knight, I had ridiculously high expectations for it, yet at the same time I knew it couldn't be as good as I hoped and was to some extent expecting to be let down. But somehow, it managed to live up to my ridiculously high expectations. Batman Begins is quite a good movie, but The Dark Knight is not even in the same ballpark as its predecessor. This movie builds and builds and builds and when it's over, it's hard to believe that two and a half hours have gone by. It is entirely unpredictable, and the cast is amazing. Heath Ledger doesn't play The Joker, he IS The Joker. And The Joker he brings us is unlike any incarnation of him we've seen before. And, somewhat overshadowed by Ledger's incredible performance, is Aaron Eckhart's own brilliant portrayal of Harvey Dent, the tragic hero of the story. Great action, great acting, great direction, great score - AND this superhero movie has more philosophical depth than 99% of what comes out of Hollywood, addressing some really tough ethical questions. Right in the middle of this summer blockbuster is a plotline where the people of Gotham must choose between utilitarian and Kantian ethics - is it more important to serve the greater good, or to simply do the right thing? I don't care if Christopher Nolan makes a sequel to this or not - if he does, I'm sure it will be great, but there's simply no way he can make a better Batman movie than this.
Inglourious Basterds (2009) Even though I still have a few problems with it, Quentin Tarantino's Inglourious Basterds is, in my opinion, probably his second-best film, and the best movie I saw in 2009. Tarantino divides the film into five "chapters", and each of these practically serves as its own little short film. Tarantino's films have always been dialogue-driven, but never as much as in Inglourious Basterds. Contrary to what the trailers suggest, which is that this movie is two and a half hours of Brad Pitt and friends butchering Nazis, this film has less action and more dialogue than any of Tarantino's prior films. Most of the film's five chapters are made up of only one or two scenes, and many of these scenes consist almost entirely of characters sitting around talking. The film's writing, acting, and directing are so incredible that a twenty-minute conversation between two people has the audience holding its breath the whole time. Like The Dark Knight, this movie is stolen by the villain, in this case SS Colonel Hans Landa, the man known as "The Jew Hunter", played to perfection by Christoph Waltz. The first (and best) scene, in which the audience is introduced to Landa, is a masterpiece in itself, and one of the most well-constructed and unbearably tense scenes I can ever remember watching.
Well, that's the list. Narrowing it down to ten was a lot harder than I thought it would be! I hope you enjoyed reading it, and I also hope that if there's any of these great movies that you haven't seen, you'll want to now!